Category Archives: Films

The Lovely Bones

This incredibly long film stuns mostly by not being boring even one moment. And it even stuns more by not being boring without actual ‘quick’ parts. It even has quite some bits that are a bit more slow, and still: it works.

The story is quite dreadful and you need to be in the mood for drama. On her way from school to home, Susan Salmon (very well played by Saoirse Ronan) is tricked and as such killed by her neighbour, played by Stanley Tucci. The film is mostly about how both parties -the living and the dead- deal with the situation.

Susan Salmon is the voiceover and tells everything in an at times warning voice, but mostly nearly excited. Her voice does its work really quite well, and all the things that keep happening after her disappearance and the things that happened before, make this film a sort of perfect mix of loss and not loss altogether.

I’ve read on InternetMovieDataBase that Stanley Tucci was actually quite uncomfortable with the kind of personality he was supposed to be playing, so he did everything he could to make the role physically as far away from himself as possible (wearing a fat suit, dye every hair he got in a different tone, wear colored contact lenses, even dying his skin in a different shade), but still you immediately recognise him. At least I did.

There’s also the early years of Rose McIver to enjoy (who we now know as the iZombie leading part) and as a whole, the parents and grandmother of Susie.

All in all I’d say it’s a film well worth watching, expect quite some mixed emotions here and there, as it’s the killed one versus the killer who doesn’t want to be discovered. Logically.

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Posted by on October 9, 2017 in Films, Opinion, Uncategorized


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The Drowning

With Julia Stiles, Avan Jogia and Josh Charles amongst the actors.

A psychiatrist is confronted with his past influence in court, when he saves a drowning young man who turns out to have been his patient, years ago.

This film is actually quite boring and it feels, at times, a lot is left out, without being explained. That doesn’t make it better. In itself Josh Charles’ play is good, but it seems out of character for any loving husband to not tell his wife so much. Julia Stiles is a properly annoyed wife, not understanding what’s bothering her husband about certain contacts she has.
Avan Jogia is brilliant as annoying bastard. Too pretty, too young, too luring. In that sense it’s a bit too obvious that he is the dangerous factor in here. His actions seem weird and aren’t too well explained either, not until the end.

The people in court aren’t of much help either. The colleague of the psychiatrist asks him for favors, but in return doesn’t give any information either.

It’s not a bad film, and the tension is properly build up at times, but the only moment where you think ‘ah, finally something is explained’, it’s only one thing and you agree with the character there: ‘why didn’t you tell me before?’

If you’re a Julia Stiles fan like myself, you will probably enjoy yourself. Josh Charles is doing a far better job in The Good Wife.

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Posted by on October 4, 2017 in Films, Opinion, Uncategorized


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Our Souls At Night

With Jane Fonda, Robert Redford and Iain Armitage.
A curiously dull film, to be fair. One night, Addie Moore (played by Jane Fonda) knocks on Louis Waters’ (Robert Redford) door. She has a proposal of sorts.
She would like to sleep together on a regular base.

‘Not for sex, I’ve long lost interest for that’, she explains, making the proposal a little less awkward and in a way funny, but still: Louis Waters doesn’t know what to say to that??

The storyline itself is very unsignificant. It’s basically what happens when two elderly people who are alone get together to spend the night -just to talk and not be alone. They are the talk of the town amongst their peers, but it’s not really that shocking. It still is two people who have the age and the maturity to choose for themselves. Louis Waters does get angry with his peers for a bit, but that’s about it.

For people looking for an exciting film: this isn’t it. It’s a very demure, peaceful story about two elderly people who spend time together, with minor incidents like a grandchild coming over, some friends who become curious and so on. The biggest event is one of their children protesting against the parent being happy.

Given that Jane Fonda currently also stars in the series Grace & Frankie, this film will disappoint. Jane Fonda actually tries to look attractive in that series and is a lot more progressive. Besides, the film Barefoot in the Park, that has both Jane Fonda and Robert Redford in it, has a lot more to offer when it comes to weird and sillyness entering the building.
Robert Redford actually has feelings in that film too. He is far more of an introvert here. He barely talks about himself. He asks her why she picked him. In the end you still don’t really know.

In short: if you love the actors, go for it, but don’t expect much of it. It’s really quite dull.

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Posted by on October 3, 2017 in Films, Opinion, Uncategorized


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Ricki and the Flash

A remarkable filmchoice for Meryl Streep. AGAIN. Though I genuinely enjoyed watching her in Mamma Mia, it didn’t make sense to me at all. Why would a class actress do such a film? But then it hit me: because it was simply just a FUN project. Even actors and actresses need fun projects, the in between snacks, right?

This film is probably a bit like that. Meryl Streep can sing. Not like a songstress (she would’ve become one of those if she were that good), but still: she can sing. I think this is why she ends up in films that contain music and involve her singing. She can do it and she likes it. She won’t pull it off like Kate Winslet did for that Christmas Carol film) but still: she can carry a tune.

This film is about Ricki, part of a very dated and mediocre band, called The Flash, who receives a phonecall from her ex-husband. Their daughter is going through a rough period, he would like her help to pick up the pieces for their daughter Julie (so very fine portrayed by Meryl Streep’s real life daughter Mamie Gummer).

Basically, it’s a trip down memory lane for the family. Because, as it turns out, all of her children will be there, and the new Mrs of her ex is out, as her father is having an episode and therefor needs care and isn’t present.

To be fair I’m not sure if Meryl Streep had a say in how her hair was done, but it’s distracting quite a bit. Especially as anyone could tell you that that’s not especially any type of ‘rock’ hairdo. They either should have gone with an actual rock look (her face worked out far better) or she should’ve just not washed her hairs for weeks or months or something like that. It’s really weird. I can’t think of any rocker, male or female, who would go for such braids/plaits. They’re the type your little sister would make, not a grown woman.

Other than that, the film is fine. It’s not the best acting you’ll ever see, but it’s certainly not the worst. Can you skip it and live your life with a clear conscious? This is also very possible….

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Posted by on September 27, 2017 in Films, Opinion, Uncategorized


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Very impressive film about a young woman whose been a captive for about seven years, and her child, which she bore from her captivator.
This film begins when the boy becomes five years of age. The narrator is the voice of the child, which gives the situation a unique point of view.

Despite the fact that his mother doesn’t seem to have taught him very creative names for things (he sees objects as both a thing and a friend, and yet they are just called ‘Skylight’, ‘Wardrobe’ and so on). In a way you’d -nearly- expect a parent would try to cozy it up a bit. For the time being at least. But I guess not everybody is creative, so that could be it.

The boy, named Jack, is becoming five years of age. His mother bakes him a cake, and you notice how he’s getting in that stage of asking more questions. He wants to know about the ‘Old Nick’ his mother calls their captivator, who comes in every night, after his mother puts him to bed in Wardrobe, so he won’t have to be a witness. Thanks to the fact that this is where he has his own thoughts, his own logical way of thinking, there’s only the knowledge of what might happen between his mother and their captivator. This gives the film the possibility of being less heavy. It also explains why the boy is still being nursed, and why there aren’t more children involved.

His mother comes up with a plan to escape one day. When she explains it to Jack, you hear why she hasn’t tried it for so long.
Given that the attempt to escape happens quite early, you do wonder what will happen.

The other interesting part: you get to see what it’s like for a child that has grown used to being captivated, what it’s like to suddenly not be anymore. He is confused in every possible way, longs to Room and Wardrobe. You can’t even blame him for that: a regularity of rituals, in captivity or not: it is the only thing the child knows and likes because he knows it. Besides, it was the only place where he had his mother around him all the time. Which child doesn’t like that? He is not interested in regular toys, as he has had eggshells that his mother made into a snake etc.

It’s remarkable to see how so many things that aren’t explained in itself, are subtly explained anyway. That’s perhaps what I even liked the most.

The last scene is also a powerful one, again because of Jack. He is like a pet, in a way, in need of closure.


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Posted by on September 11, 2017 in Films, Opinion, Uncategorized


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Oh how I enjoyed this film. After the first 10-15 minutes, that is. The start scene is not that representative for the flow of the total film.
Johnny Depp in a good old Willy Wonka/Mad Hatter-type of character named Charlie Mortdecai. Who is married to a lovely lady (played so nicely by Gwyneth Palthrow) and they’re about to become bankrupt, unless they sell a thing or two.

>Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.<< (by ImdB)

Given that the last film with Johnny Depp I saw was not a typical ‘Johnny’ film. This one so much made up for that! I truly enjoyed the idiotic performances, ridiculous storyline and British polite accents. Mortdecai’s help Jock, (Paul Bettany) is a lovely sidekick aswell, just like Alastar (Ewan McGregor) who is secretly in love with Mortdecai’s wife Johanna. The funniest (to me) are the romantic scenes. I don’t usually like those much. These kept me going, I laughed so much. Also the inclusion of some unexpected stars, like Jeff Goldblum, did the trick.

I know Johnny Depp gives mixed feelings to people these days. I have a different opinion on that altogether and this film is just lovely and a Must See!


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Posted by on August 31, 2017 in Films, Opinion


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I Know Who Killed Me

Don’t be fooled by the description of the film that this is in fact a sort of murder mystery. It’s actually anything but. It’s a ‘look at me, I’m Lindsay Lohan’ catwalk and nothing else. I have no idea why Julia Ormond and Neal McDonough even bothered to show up. The acting is appalling, not even the slightest bit convincing and they know it. They don’t really care. And you wouldn’t either.
Supposedly there’s a storyline. If it even exists, it’s that youngster Aubrey Fleming goes missing after she doesn’t take the missing and killing of several other girls seriously. When she is found, she’s not in one piece. A few bodyparts have been taken. But also: she is convinced she’s someone else.

The fact that she believes she’s actually a stripper and this so-called fact is put into the film so extensively without any proper reason, nor the ‘love making’ scene she has with her boyfriend, really only made me realise even more: ah, so it’s not actually meant to be about anything else.
Sure, the disgusting scenes are truly disgusting, but other than that, this film has pretty much nothing to offer. A complete waste of time.

Unless you’re in love with Lindsay Lohan, in which case your life will be empty without having seen this one.

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Posted by on August 25, 2017 in Films, Opinion, Uncategorized


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